


Reflections
This project began with a spark of curiosity — an idea I couldn’t quite shake, so I chased it.
What started as a thought experiment about death and design became something more personal:
a space to grow, to play, and to expand my design eye beyond interiors and architecture.
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In reimagining death as an experience rather than an absence, I wanted to explore how aesthetics, empathy, and technology could bring tenderness into spaces we often avoid.
Through STYX, I discovered that designing for death isn’t morbid — but romantic.
It’s storytelling with intention, an act of deep care in experience-making.
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Yet it also asks:
Where do we draw the line between comfort and control?
Between remembrance and possession?
Between what should live forever — and what should be allowed to rest?
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CloudWish doesn’t claim to answer those questions; it simply begins the conversation.
Because before we can talk about death, we must first question what it means to live well.
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To me, this project is about courage through curiosity — a reminder that design can hold silence, that beauty can exist in departure,
and that even the most uncomfortable subjects deserve intention and care.
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It’s ongoing as an experiment and an exploration toward building in new worlds where empathy, storytelling, and technology meet.
Process




Rest in Wishful Peace
CloudWish isn’t about endings — it’s about continuations.
As you leave, may you take this question with you:
What will your memory look like when you’re gone?

Leave a Trace
I'm dying to hear your thoughts.
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Last Words, Remembered.
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